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Fredric Schwartz's avatar

Were you to conduct a visual audit of these wineries you would learn much the same thing. Not only are wineries incapable of talking about anything other than themselves; they can’t seem to point the camera away from their “factory.”

Lush, rolling vineyards – beautiful though they may be – are simply wallpaper. Tanks, barrels, bottling lines. Punch-downs and pump-overs. Still-life with bottle and glass. It’s worse than clichéd, it’s dull. And, as Ted demonstrates, it fails the principal goal of marketing: differentiation.

Wineries: stop looking at your neighbor for inspiration. Look instead at other industries. You might learn something.

Shannon Murray Kuleto's avatar

Thought-provoking piece, Ted. I remember when “great wines are made in the vineyard” first appeared in Napa marketing (I said it myself in the ’90s)—it felt like an important insight to ground visitors in the importance of ag/viticulture. It’s remarkable how quickly even significant ideas can become industry shorthand…and eventually cliché.

It was only about fifty years ago—1976 and the Judgment of Paris—when Napa wines were still proving themselves as peers to the French classics, even as Robert Mondavi and others from that modern wave of pioneers tirelessly promoted both this region and wine itself to American palates.

As someone who spends a lot of time championing Napa Valley’s history and heritage, I’d add that these stories do require constant cultivation. It takes surprisingly little time—a generation or two—for families, communities, even whole regions to lose their sense of connection to the past if the stories aren’t actively told and retold.

Perhaps that’s the paradox your analysis reveals. After decades of telling the story of place, stewardship, and heritage so effectively, those ideas may now be so embedded they’re simply assumed—taken for granted.

Your examples of the wineries that break the mold nicely illustrate the path forward: grounding those ideals in specific, verifiable distinctions.

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